MY FAVORITE !!!!!!!!!!!!!!!!!!!!
ARTISTS UP CLOSE:
Friday, May 23, 2008
Yorkshire Pudding Tins Sticking How To Stop This
ARTE
Sunday 25 May 2008 at 13.25 clock
VPS:
13:25
At first glance all you see is that Pierre Soulages' most famous series of pictures is black. Only recognize the right light can, as in 1919 French-born artist plays with color with the light reflections. His paintings vary, depending on what day and year you look at whether they reflect the sun rays or are only surrounded by gray daylight. "Artists at first hand the nearly 90-year-old painter in his studio accompanied to Paris and Sète, and to his exhibition at the Musée Fabre in Montpellier.
For 60 years, Pierre Soulages in the international art world at home. He is one of the great European painters who were much before that, what in America was developed only five or ten years later. As the main representative of the non-representational-abstract direction in the contemporary French painting, he has dealt mainly with broad black bar shapes against a light background. The focus of his work is particularly dominated by its monochrome black phase of the "Outrenoir" which started in 1979. Pierre Soulages
loves black, she is to him the most original of all colors and a means of transport of the light. He developed various techniques that influence the perception of the reflection of light on a black background. By different light these vary constantly, and thus so do the feelings and thoughts, which the work causes the viewer. Pierre Soulages' view of art is so beyond the actual work: "A work of art always consists of three parts: his material existence, the artist and the viewer." The artist's works are large, he thinks nothing of framed pictures that look like windows, but would rather give his works the Stofflickeit of walls, which blend into the architectural space in which they depend. The tool, which he has in his studios in Paris and sees Sète, therefore, more like a painting operation of the equipment: large brush, spatula and paint bucket. 
"artist up close" in his visit Pierre Soulages Workshops and accompanied him to the monastery church of Sainte-Foy de Conques, whose windows he designed in black, and the Musée Fabre in Montpellier. The museum has for him as a refuge during the war, deserve special attention. Here he looked with enthusiasm their favorite pictures and met his wife during a museum visit. Meanwhile, many of his own works are exhibited at the Musée Fabre. In an interview with art historian Klaus Bussmann Soulages talks about the creative act, the light and the influence of the cave painting on his conception of art.
"artist up close" in his visit Pierre Soulages Workshops and accompanied him to the monastery church of Sainte-Foy de Conques, whose windows he designed in black, and the Musée Fabre in Montpellier. The museum has for him as a refuge during the war, deserve special attention. Here he looked with enthusiasm their favorite pictures and met his wife during a museum visit. Meanwhile, many of his own works are exhibited at the Musée Fabre. In an interview with art historian Klaus Bussmann Soulages talks about the creative act, the light and the influence of the cave painting on his conception of art. 
Tuesday, May 6, 2008
Mario Salieri Film Free
Megaherbivorentheorie 27/01/2008
Serengeti behind the dikes
Thursday, 05/08/2008 3Sat 20.15 clock
film by Gerd Weiss and Michael Miersch (first broadcast 3/16/2007)
In Germany as the epitome of the natural forest. But the forest is the natural landscape of Central Europe? Probably not. Long before humans cleared, did animals. Much like today in the African savannas, destroying trees, thus ensuring an open and diverse landscapes. Now reverse the four-legged landscape nurses back with human assistance: Just half an hour from Amsterdam is Oostvaardersplassen, a vast reclaimed from the sea level. Dutch conservationists settled there about 3000 large ungulates - elk, wild horses and wild cattle - on.
The film by Gerd Weiss and Michael Miersch shows the beauty of this wilderness of second-hand and documented the lives of großenHuftiere and the many smaller inhabitants of Oostvaardersplassen. In addition, the authors present their film an explosive political issue: Should billions of euros are spent every year to farmers to the cultural landscape? Or does Oostvaardersplassen the example that there is another way?
Serengeti behind the dikes
Thursday, 05/08/2008 3Sat 20.15 clock
film by Gerd Weiss and Michael Miersch (first broadcast 3/16/2007)
In Germany as the epitome of the natural forest. But the forest is the natural landscape of Central Europe? Probably not. Long before humans cleared, did animals. Much like today in the African savannas, destroying trees, thus ensuring an open and diverse landscapes. Now reverse the four-legged landscape nurses back with human assistance: Just half an hour from Amsterdam is Oostvaardersplassen, a vast reclaimed from the sea level. Dutch conservationists settled there about 3000 large ungulates - elk, wild horses and wild cattle - on.
The film by Gerd Weiss and Michael Miersch shows the beauty of this wilderness of second-hand and documented the lives of großenHuftiere and the many smaller inhabitants of Oostvaardersplassen. In addition, the authors present their film an explosive political issue: Should billions of euros are spent every year to farmers to the cultural landscape? Or does Oostvaardersplassen the example that there is another way?
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